INTERVIEW WITH SNY NY METS PRE & POSTGAME TV HOST GARY APPLE, BY JACOB JARRETT

For my fourth interview of this ongoing series, THE INDUSTRY, I had the honor and privilege of connecting with on-air studio host and play-by-play broadcaster, Gary Apple. Mr. Apple is the host of the NY Mets Pre- and Post-Game live for SNY. He also provides the play-by-play for UCONN Men’s Basketball, hosts the UCONN Women’s Pre, Post, and Halftime shows, and has worked as a studio host for MSG, NBA TV, and a variety of WFAN radio shows. Leading up to my interview with Gary, I was especially excited because he was the first on-air talent I’d had the chance of interviewing, and this is the profession I hope to have a career in someday.

Gary’s passion for sports formed at a young age, spending many of his adolescent and teenage years as an athlete on the field. Gary even dreamt of playing at the professional level, but “I wanted to play in the NBA one day, but I only grew to be 5 foot 10”, he said. This realization, one that many individuals experience, usually causes a person to abandon sports entirely as a career and pursue other paths. However, Apple’s passion, determination, and true love of sports inspired him to find a way to “Get in on the action without actually playing”, as he puts it. He devoted all his energy in his later teenage years to sportscasting, which led him to Syracuse University and its powerhouse broadcasting program.

Similarly to my previous guests, Apple’s college years were filled with an array of experiences and internships that would contribute to his craft and build confidence for the future. For Gary, the significant difference between Syracuse and other strong broadcasting schools was the opportunity for him to live broadcast games for the school teams. Gary’s skills offered him the chance to work with Syracuse’s prestigious radio station, WAER, where he was able to broadcast NCAA football, basketball, lacrosse, and soccer. The students broadcasting on WAER even had the opportunity to travel with the teams. Gary recalled a trip he took to broadcast a football game against Ohio State, an experience he considers as his “first professional broadcasting moment.”

In knowing the versatility that is needed to be successful in THE INDUSTRY, Apple also took on announcing play-by-play for the local minor league affiliate of the Toronto Blue Jays. Perhaps this was a preview for his illustrious career in the studio for our country’s national pastime. At this point, Gary felt equally as comfortable sportscasting as he did as a talk show host, so he was torn. To decide, Gary decided to apply to two internships, one at CNN Sports Atlanta, and the other, a morning talk show for CBS in Washington D.C.

The next sequence of events in his life was quite unfortunate for him at the time, but most likely shaped Mr. Apple’s career into what it has become over the last 30 years.

“I honestly was leaning towards the talk show at the time,” Apple stated. But much to his disappointment at the time, he was offered an internship at CNN Sports but did not hear back from CBS. Or so he thought. After coming to terms with the situation, Gary took the position at CNN and was determined to expand on his sportscasting skills. Then, the following day, Gary got what he considered a confusing call from CBS. “I got a call saying ‘we never heard back from you, we offered you the position. Unfortunately, I had to decline because I had accepted the internship in Atlanta!” Gary viewed this as a teaching moment, but it also helped reveal his future. “I was set on a path at CNN Sports, and this is what I was meant to do,” Gary recalled.

Syracuse and CNN Sports were both experiences that Gary viewed as “places he could go to make mistakes”. After an immense amount of hard work, perfecting his audio craft, learning social skills, communicating with athletes, and developing his own unique style, Mr. Apple began his professional career in St. Louis at the great KMOX radio station. KMOX had been graced by big-time sportscasting names such as Bob Costas as well as father-son duo Joe and Jack Buck. St. Louis gave Gary the ability to expand on his skills in terms of developing the versatility needed in THE INDUSTRY. “From studio, play-by-play, radio, or sideline, the more you can do, the more valuable you are to an employer”, he shared. These are very inspiring words to me.

A question I always love to ask my guests is whether they’ve ever been starstruck, as it’s a thought that often comes to mind while working on THE INDUSTRY. I asked Gary if he ever had, what I like to call, a “WOW, I’m really here”- moment. He viewed it as a more gradual process during his “burst” onto the sportscasting scene and couldn’t recollect a specific moment. One thing I can say about this INDUSTRY, is that everyone seems to know everyone in one way or another. It’s a smaller industry than I would have thought. My first interviewee, David Gavant, worked with Michael Jordan, and my previous, Brian Langsbard, worked with John Williams. In Mr. Apple’s case, he had worked with a man on the Mount Rushmore of sportscasting, Bob Costas. In their first encounter, an unbelievable and exciting coincidence, Gary ran into Bob while boarding a plane from St. Louis to New York, the night after broadcasting a college basketball game for the USA Network. Without any previous relationship whatsoever, Costas sat him down for some advice. Gary was ecstatic and was even invited to Costas’ radio show in New York that weekend. Although Costas and others have offered Gary a large amount of inspiration and advice, Gary told me, “Over the years I’ve learned that people are just people, whether they’re athletes, superstars, or anything else. “

This industry is by no means easy to get involved in, and the idea of outworking the guy next to you to attain success can in fact be parallel to that of the players on the field. “Coming up through the ranks, I was willing to work 24 hours a day, 7 days a week. I believe in any industry, the willingness to work that hard is needed,“ Gary advised me. The responsibility and pressure for on-air talents is very specific, though, a boss in St. Louis once told Gary. “It doesn’t matter if you show up 20 hours before your show to prepare. If you don’t bring me viewers, you’re of no use to me.” These words stuck with Gary, and now will stick with me. While you must work hard, you must also be able to stand out among all the other broadcasters on air.

I’m currently in the early stages of writing a book called “A Letter to Someone Who Hates Sports,” a novel based on meaningful sports stories that take place off the field, and the ways sports have impacted our world on an emotional level. I’ve decided to include this as a segment within my interviews, where I ask my guests what they would say to someone who doesn’t see the significance of sports the way myself and people in THE INDUSTRY do. Gary took the approach of the impact that sports can have on societies around the globe. “Sports has an unbelievable ability to unite communities and people… when Kansas City won the Super Bowl, every single person in the city tuned in, the city was galvanized,” Apple stated. He continued to say that we need sports now more than ever with social media and politics fragmenting our societies. I really considered these words after Mr. Apple told me this, so it will have to be in the book!

Now I’ll move to the portion of Gary Apple’s career that so many New Yorkers are most interested in, Apple’s illustrious career with the New York Mets at SNY. The unique thing about a career in broadcasting is that while much hard work is needed, the opportunity to have a job you enjoy so much it doesn’t feel like a job, is especially true for Gary. “I love my job; I grew up a Mets fan. I understand that I have a great responsibility to the fan base and organization to act as a go-between for the fans and team”. This was yet another inspiration to me for my career path. Although I’m not a die-hard Mets fan myself, I was able to enjoy and appreciate the 2015 World Series run, which Mr. Apple views as one of the most enjoyable experiences he’s had while covering the team. In an unorthodox but equally as exciting experience, Apple and his team produced the Pre- and Post-game shows outside of Citi Field, “It was a madhouse”, Gary recalled.

Looking back on our interview, I can truly say that Mr. Apple was an incredibly relatable guest for me, and I learned so much from speaking with him. As I mentioned previously, I can understand so many of the feelings Mr. Apple had in his teenage years. I also dreamt a bit too steeply of a career as a professional athlete, and like Apple, eventually realized I wouldn’t be happy with any career choice outside of sports. I asked Gary for one line of advice as I embark on my own journey into THE INDUSTRY, and he replied, “You have to be willing to sacrifice, outwork everyone, go anywhere and put your heart and soul into everything-that’s what will separate you from others. Also, information is king”. This advice will surely stay with me for many years as I strive for a career as successful as his.

Gary and I wrapped up by his advising me to always be kind, 100% of the time, because way too many people aren’t anymore. What a great representation of who he is as a person. I am so thankful for the opportunity I had to conduct this interview, which inspired me and opened my eyes to the work ethic and traits needed to be a great sportscaster, student, and person.

 

 

           

 

 

 

 

 

 

 

 

 

 

 

Interview With Sports Music Composer Brian Langsbard, by Jacob Jarrett

Hello and welcome to the third edition of this series, THE INDUSTRY. Today I had the privilege of interviewing Emmy nominated Film/TV music composer, Brian Langsbard, who over the course of his 20 year career has succeeded in the Film and TV composing industry. Brian has contributed to some of the most important sports moments of our time with his wonderful music. It truly was an inspirational experience to chat with him over the phone and hear about some of his career experiences and his interesting line of work.

Langsbard’s journey began with a hobby that most of us share, watching movies. 

However, Brian didn’t take the same approach as everyone else when viewing blockbuster films like Star Wars. While many of us idolize certain characters, buy toy sets for young children, or fantasize over plot twists, Brian was different- he was moved by the music. “I was highly affected by the music of John Williams in Star Wars and Indiana Jones, and the role they played in the movies.” With a realization of the importance of music in film combined with a natural connection to the idea of a “universal language”, Brian was inspired to pursue this career and eventually attend the Eastman School of Music in Rochester, New York where Brian was allowed to “create his own experiences”. He composed a 60-piece orchestra for a student film in just his first year at Eastman. Brian was burst onto the scenes of music composition, the industry which he would learn to conquer at Eastman. At just age 24, Brian was then hired to work on the Batman animated series for Warner Brothers. This was his first professional job.

Langsbard offered a unique answer to my question of how big a role sports played in his young life. His answer, a surprising one, was none. “I was a complete music nerd,” Brian said. Interestingly, he continued to tell me that his sport-absent upbringing actually helped his music represent the purity of the game itself, without any “personal desires”. Brian’s plan wasn’t specifically to compose for sports, but through the help of a few family members and friends, he was able to display his great work for the sports award show, the ESPYS, which led him to then be recognized by Major League Baseball. Langsbard worked on a variety of on-field events including the All-Star Game and World Series, which he fell in love with. “Something special  about writing for film is the incredible feeling of hearing your final product in a movie theater on great speakers, and when I first worked for MLB I thought to myself, ‘movie theater speakers got nothin on stadium speakers!”. Due to this incredible feeling of accomplishment and creativity, Brian explained, “I didn’t always know it, but composition in sports was everything I always wanted”. 

Similarly to my other guests, Brian was able to speak to the balance of competitiveness and teamwork as an essential skill needed in the industry. For him, his relationships with composers built either during or just after his time at Eastman paved the way for opportunities that would last an entire career. With an advanced skill set for his age, Brian was able to impress the likes of composer Joel McNeely who, at the time, was composing for the Young Indiana Jones Chronicles. Brian works with Joel to this day, producing realistic sample mockups for Seth McFarlane’s The Orville and American Dad series. Many of the projects Brian has worked on have needed multiple composers, creating a potentially competitive atmosphere. However, Brian views the “competition within” and the work ethic we must have individually as the most important element to success in the Industry. Brian says, “You usually won’t know a thing about the composers you’re up against, the most important competition is with yourself. You have to have a healthy amount of second-guessing with your work, and make it the best work you can make”. I found these words very inspirational and will take them with me for the long haul. Music in the sports production and broadcasting industry may not be the first thought to come to mind when it comes to the business, but man, is it essential to the success of the work and an impressive skill. 

I always ask my guests who they were most starstruck by out of anyone they’ve ever worked with or met. Brian had a humbling response that spoke to the nature of the sports broadcasting world magnificently. He referred to the career he shares with legends like John Williams, Hans Zimmer and others as the “Creative accountancy part of the business- you wouldn’t see Williams driving around in a Lamborghini and getting flashed by paparazzi.” The idea that fame and the spotlight aren’t the only or most essential goals for those working in The Industry has been expressed by every guest I’ve interviewed so far. Brian was able to connect with Williams a few times, but the first time proved most significant. While hastily exiting an event, Langsbard stopped the legendary composer, calling him a hero. Without another word, Williams understood the impact he had on Brian. Even without the glam of a movie star, Williams is a major hero, and Brian hoped he could have the same influence in his own career.

Finding a style of work that fits you most is important to many different careers, but in this one, it can make or break you. “One of the best places you can be as a composer is to be able to just do “your thing’.” At MLB, commissioned by the Executive in Charge of Production, David Gavant (the owner of this website), Brian was able to do the “Brian Langsbard”. Furthermore, Langsbard was hired for the style of music that he felt was truly his, and it fit the overall product perfectly. Langsbard's most important work in his eyes came in 2009, with the MLB All-Star Game. That year the MLB worked with PEOPLE Magazine on a theme called Heroes Among Us. The project was to pick representatives for all 30 teams- citizens who had done heroic, generous, or extraordinary work in their communities. The pre-game ceremony also featured video messages from every living President of the United States. “A heartfelt, good-natured approach...the video had music from start to finish and it was the greatest, most emotional musical presentation I’ve ever been a part of.” 

I wrapped up my interview with Brian by asking for some advice as I embark on my hopeful journey in Sports Broadcasting. Technology was at the forefront of his answer, as he advised me to understand the impact one click of a button, online, can have on people around the world. The work of a journalist can affect people in massive ways, negatively or positively, so it’s so important for journalists to take that extra second to really ponder or evaluate their work and its meaning.

Brian Langsbard is part of a unique community of individuals whose creativity and drive, under the radar of typical fame and celebrity, have contributed to some of the greatest works of our time, both on and off the field. 

You can hear samples of Brian’s work on his website https://www.brianlangsbard.com

WRITER AND MADCATS FILMS INTERN, JACOB JARRETT, IS CURRENTLY A SENIOR AT HIGH TECH HIGH SCHOOL IN HUDSON COUNTY, NEW JERSEY AND IS CURRENTLY APPLYING TO COLLEGES WITH STRONG SPORTS BROADCASTING PROGRAMS.

Interview with Winik Media owner, Gregg Winik, by Jacob Jarrett

Welcome back to the second edition of THE INDUSTRY, where I had the privilege to interview Gregg Winik, owner of the sports production company Winik Media. Mr. Winik has had a long and storied career in sports media and he recently spoke to me by phone from his production offices in Newark, New Jersey. 

Gregg began his sports career in middle school, carrying camera equipment around on film shoots for his father Barry Winik. The elder Winik was a renowned Sports Cinematographer who traveled the world for most of the 1970s filming Olympic profile features for NBC Sports.  Barry would go on to play pivotal roles in training the next generation of Sports Producers while helping to launch both MLB Productions and NBA Entertainment. “I was definitely a child of the sports production industry”, Gregg stated. “Some of my earliest memories in the business was working behind the scenes with my dad on numerous film shoots. And, I quickly developed the dream to work for NBC Sports like him.”

Throughout his high school years, Winik learned a great deal from these experiences working “in the field” with his dad, which led him to major in film and television in college. After touring multiple schools in the Boston area, he was most attracted to Emerson College because of the hands-on experience the school offered their students, “The other universities in Boston had signs up saying that no one was allowed to check out equipment until they were a senior,” Winik said. “Meanwhile, from day one, Emerson let students produce all types of programming and content, covering a diverse set of themes and stories that inquisitive college students would want to tell. It also didn’t hurt that the college offered a strong internship program and I jumped at the chance to intern with the Larry Bird-led Boston Celtics for three years.”

It was not surprising that Winik would follow in his father’s footsteps after college, but instead of picking up a camera, Gregg would make his mark as a sports executive.

One of the first positions he had was helping the national newspaper USA Today move into broadcast television.  He moved to NBA Entertainment as an executive, and it wasn’t too long before he fulfilled his dream of working with NBC Sports when they acquired the network rights to broadcast NBA games in 1990.

Over the course of his career as the Executive Vice President and Executive Producer at NBA Entertainment, he won multiple Emmy Awards and developed NBA Inside Stuff - the league’s first-ever network series that ran for 16 years on NBC and ABC Sports.

Winik’s role at the NBA went well beyond producing because he also oversaw the league’s ever important broadcast relationships with several national TV networks that held the NBA’s broadcasts rights, including NBC, ABC, TNT, and ESPN.

I asked him who were some of the most important athletes that he worked with over the course of his career.  Winik’s first answer was Ahmad Rashad. Rashad made his name as a versatile wide receiver in the NFL, making four Pro Bowls during his career and having his name added to the Minnesota Vikings Ring of Honor before going to work at NBC Sports as a football analyst, sideline reporter and sports desk update anchor. When NBA Entertainment was tasked by NBC to create NBA Inside Stuff, it was up to Winik to pick the on-air talent and when Rashad became available, Gregg jumped at the chance to have him host.   Ahmad became an NBA staple - to the point where many people today have forgotten about Rashad’s original association with the NFL.

In 2006, after his long career at NBA Entertainment, he was then inspired to start his own business and launched CineSport right when the internet was starting to change the sports media landscape. Gregg wanted to be at the forefront of this new technology and pursue new forms of sports production and distribution that are so prevalent today. CineSport became one of the industry’s first digital platforms to power video highlights in the sports sections of many well-known newspaper websites such as the Philadelphia Inquirer, Atlanta Journal-Constitution and the Boston Globe. Winik called the Cinesports startup his “passion project”, which perfectly combined his skills in production, business, and technology. “It made a lot of headway towards where we are today with online distribution. To be one of the first companies to see how important this online space could become in the digital world was really exciting,” Winik said.

However, it’s Winik Media’s ongoing relationship with the NBA - as a trusted production partner - where the company continues to shine. Currently, Gregg’s editing teams are producing two projects for the league. NBA Rooks, is a series airing exclusively on ESPN + that takes fans behind the scenes as NBA rookies experience their first season in the league, both on and off the court. The series follows the league’s top rookies from the 2019 NBA Draft class through the entire 2019-20 season.

It’s been interesting for teenagers like myself to feel such high regard for these younger NBA players, who are usually just a few years older than us. According to Gregg, this is the exact appeal of the series. “There’s such a raw sense of discovery and fascination with these next generation of NBA stars,” Winik said. “The series is really a character study on the effect of suddenly having millions of human beings of all ages judging your every move.” Gregg interestingly views the transformation as easier for today’s athletes due to their earlier exposure to the spotlight through social media during high school and college, when most became known to basketball fans and the public for the first time. 

The most important project that Winik Media is working on right now in conjunction with the NBA is also perhaps the highest profile production the league has ever done to date. The Last Dance, a 10-part series on the legendary Michael Jordan is set to air on Netflix in 2020. This docu-series will cover Jordan’s illustrious career set against the backdrop of his last season with the Chicago Bulls when the team won 62 games en route to defeating the Utah Jazz in the 1998 NBA Finals to win their sixth NBA Championship with MJ.

To this end, Jordan is Winik’s second choice for the most impactful athlete that he has ever worked with. What it must have been like to be an NBA executive when MJ, arguably the greatest player to ever play the game, was in his prime. “Michael was a spectacular athlete, winner, and defined the era of my time at the NBA”, Winik said. “Many basketball fans around the globe know about Michael’s influence on the world and his phenomenal accomplishments on the court, but it’s his personality and relentless competitiveness that fans didn’t get a real chance to see when he was playing,” Winik said. “Yes, fans might have seen glimpses of how competitive Jordan was when he seemingly took over games in high pressure moments,” he said. “But the Netflix docu-series, The Last Dance will have the proper time to really delve into this aspect of his personality and show how his relentless competitive spirit drove him to succeed”.

This topic of “competitiveness” led me to ask Gregg about the competitiveness that is needed to succeed in a career in the sports industry. Here, Winik emphasized that it’s important to have your own personal drive, set goals to be the best you can be and consistently deliver your best work. However, he also made sure to caution me that teamwork is just as important. “There are certain times you have to share the ball, and other times you have to say give me the ball and let me take it from here,” Winik said. 

I then asked Gregg that out of all the important works in his career, what is he most proud of? He responded that the launch of NBA Inside Stuff on a major network like NBC was near the top of the list, along with the longevity (16 years) that this series aired under his guidance. “This series was the first youth-targeted show produced by a sports league,” Gregg said. “This paved the way for other sports leagues to see the value in creating this type of programming that fans wanted to see and is one of the reasons most of the major sports leagues now have their own networks where this type of content is available in abundance.”

From the interviews that I have conducted with sports media executives to be featured in upcoming articles, there’s no disputing that writing is a key element in sports production because storytelling is so important. I concluded my conversation with Gregg by asking him if he could offer me any advice about writing as it relates to the sports media industry, and I was happy to hear him answer with a resounding Marv Albert-esque like “YES”. “When producing the USA Today show in the late ’80s, it was the first time that I was exposed to real journalists in a professional setting,” Winik said. “These journalists produced their own video packages, but the stories were told through the written word first and the pictures were added secondarily by an editor,” Winik continued. “It was fascinating to learn this approach, which luckily stayed with me for my entire career,” Winik said. From this experience he continues to believe that the narrative storytelling in writing is one of the most important aspects of what makes this industry so magical.

It was an honor to interview Mr. Winik and I found his words and advice to be very motivating and an inspiration for me to continue to share more stories from these incredible guests who have made their mark on THE INDUSTRY.

Writer and MadCats Films Intern, Jacob Jarrett, is currently a senior at High Tech High School in Hudson County, New Jersey and is currently applying to colleges with strong Sports Broadcasting Programs.

 

            

Interview with Madcats Films Principal Owner, David Gavant, by Jacob Jarrett

For my first interview, I spoke with David Gavant, the Principal/Owner of MadCats Films. David has received many industry honors including 32 Emmy Awards and a Peabody Award from his college alma mater, The University of Georgia. For 17 years he was Executive Producer, Executive in Charge of Production and Vice President for MLB Productions - the video, film and digital production arm of Major League Baseball. Before David’s stint at MLB, he was at NBA Entertainment for 12 years as the Senior Director of Production and Creative Director for the division’s in-house advertising team. It was here that David led the group that produced the celebrated “I Love This Game” global brand campaign.  David began his career as an intern at CNN Sports in his hometown of Atlanta, Georgia,working in a variety of positions during his last two years of high school and throughout college. 

I first asked David what initial inspiration led him to get into the sports industry: 

“As a kid, I shared the dream that many of my friends had of wanting to be the next great baseball player, but I also loved movies and had a strong pull to be an actor or film director - you know the next Steven Spielberg”, Gavant said. 

As luck would have it, shortly after his thirteenth birthday, David’s mom connected him with the Atlanta Models and Talent Agency, and to his surprise, without any acting training whatsoever, he landed a small role in the movie “Carny”. Even crazier was that he was cast to act in a scene opposite Jodie Foster, a major child star at the time who had been nominated for an Academy Award earlier that year for her supporting role role in “Taxi Driver”.  

“When it came time to shoot this scene,” Gavant said, “my lack of acting experience made the process really intimidating. First, I didn’t realize the actual camera would be as big as a vending machine (this was when Hollywood was still using bulky film cameras unlike today’s equipment), and second that this huge camera would be placed literally right in front of my face. I remember getting through the takes, but each time hearing the Cinematographer tell the Director in the background, “there was eye movement”. Meaning, I kept looking into the camera when I delivered my lines because it was distracting to pretend like this huge piece of equipment wasn’t there. If only the Director had said, “hey kid, stop looking into the camera!”. It must have been an easy decision to cut me out of the movie. I immediately knew that my acting days were numbered, but what the Director, Cinematographer and the rest of the film crew were doing sure looked interesting”! 

And, at that moment, David’s passion for production was born. 

Next, David told me about the six years he worked at CNN, beginning at just 16 years old, when he was a junior in high school. Ted Turner had recently launched CNN in Atlanta and Dave’s mom came to the rescue once again when she blindly called the CNN Sports department and Executive Producer Rick Davis picked up. 

“Are you hiring interns? My mom asked and Rick said yes. Cut to a week later and I’m in Mr. Davis’s office interviewing for a sports internship that would begin my journey”, Gavant said. 

Through the remainder of high school and college, first at Georgia State University in downtown Atlanta and then at the University of Georgia in Athens, David worked at CNN every weekend and during every school and summer break. He began as an intern, then became a Game Highlights Editor before being promoted to the Weekend Morning Sports Cut-In Associate Producer. 

“This experience basically developed into an apprenticeship that taught me about journalism and television production because CNN was a completely hands-on work environment.” Gavant said. “There were no restrictions on operating any equipment; and although I was still a teenager, I quickly discovered that I had some talent as an Editor and could contribute to our behind-the-scenes production crew who were constantly scrambling to get three fresh half-hour shows on the air every night. After a while my co-workers stopped seeing me as a high school kid and treated me like a valuable part of the team.” 

David referred to his time at CNN as his version of film school and one of the most influential experiences in the process of becoming a successful Sports Producer. I asked if he received any specific advice at CNN that still carries with him to this day, to which he responded,

“Absolutely, you have to remember that you’re always working. Meaning, if something needs to be done, you jump in immediately and help the team because you never want to miss a deadline, especially in a live news environment. So, “teamwork” and “accountability”, two concepts that I have valued throughout my career, were first nurtured during my formative years at CNN Sports.”

I then shifted our conversation to the interview process. What were some of the best interviews that he ever conducted or has been a part of? Without hesitation, (and no surprise to me since I’m a huge baseball fan), David said it was his interview of Derek Jeter for the HBO Sports documentary “Derek Jeter: 3K”. This was the all-access film that followed the Yankees superstar during the pursuit of his 3000th hit, the milestone that automatically punches a player’s ticket into the Baseball Hall of Fame. David’s team at MLB Productions followed Jeter for the final six hits of his quest, which took longer than originally anticipated when Derek pulled his hamstring midway through filming. This pushed production from the original three-week timeline to six-weeks. 

“Derek’s injury ended up being a blessing for us and the extra time really improved the storytelling for this documentary”, Gavant said. “Instead of the film being a retrospective filled with career highlights as it was originally envisioned, we quickly adapted the story to become more of a “fly-on-the-wall” look at Jeter’s life. This was only made possible because Derek gave our production teams incredible access during those additional weeks after his injury. For example, Derek left the big club and returned to the Yankees spring training facility in Tampa to rehab his injury. This enabled Jeter to reconnect with some of the coaches who had positively influenced him throughout his career, and the content we captured there was truly emotional at times and complete unexpected”. 

The main interview with Derek occurred a few days after his 3000th hit game on July 9th, 2011, where he went five-for-five, including a home run to reach this  huge milestone. The setting for the interview was at Jeter’s New York City apartment that had floor to ceiling windows overlooking the eastside and downtown New York City. 

 “It was a beautiful sight”, Gavant said, “but it posed a huge problem for us as we thought, how the heck were we going to light this? It was going to be a long multi-hour interview starting in the late afternoon and ending at night so the change in daylight was going to be challenging to manage later in post-production. It would look inconsistent when we mixed and matched different parts of the interview during the editing process going from light, to dark, to light again.” 

Through a strategic approach, the production team decided to use the change of lighting to their advantage, by approaching the interview so that the questions followed the storyline chronologically - beginning in daylight and ending after sundown. 

“We got lucky”, Gavant said. “It worked and actually looked like we had planned to do this all along. Derek’s soundbites start in daylight at the beginning of his career and ended at night with the lights of New York City aglow in the background as he walked out of Yankee Stadium at the end of the documentary”.

Jeter wasn’t the only all-star athlete that David has worked with. Continuing on the topic of interviews, he brought up perhaps the wackiest one he was a part of – during the production of “Michael Jordan: Come Fly With Me”, which he produced, directed, edited and co-wrote during the NBA’s 1987-88 season.

During the previous offseason, Jordan was constantly criticized for playing only one side of the floor - the offensive side. 

“I remember during production I interviewed his incredible father, the late James Jordan, in Wilmington, N.C.”, Gavant said, “and even he joined into this chorus of criticism by telling his son that “he’d score 35 points a night too if he took 50 shots a game”.

Not one for backing down from a competitive challenge, Jordan lead the NBA in scoring again that season, but he also defied critics by winning the Defensive Player of the Year Award as well, and this served to forever shut down critics who said he couldn’t play defense. “This award was given during the offseason and Michael was having a charity bowling event in Chicago at the time he was announced as the winner.” Gavant said. “This was not an ideal place to conduct an interview with the sound of  bowling balls thundering down alleys and hitting pins over and over.” The video crew was led by the great Cinematographer/Cameraman Barry Winik, who took the 6' 6” superstar into a small janitor’s closet in the bowling alley that the crew had quickly cleaned out and hung a dark tarp as a backdrop to give the interview a professional look. 

“A couple of soundbites from this interview ended up in “Come Fly With Me”, and if you listen closely under the audio mix you might hear a few bowling pins being knocked down in the background”, Gavant said.

I continued our interview asking David which athletes left him the most starstruck, if any? 

“Over time, you become less and less starstruck,” Gavant said. “The advice that I was given at NBA Entertainment that I continue to follow today came from Leah Wilcox, who ran the player/talent relations department. She said the players are your co-workers and you wouldn’t ask the person in the next cubicle for their autograph or be intimidated by them, would you? The players have a job to do for the NBA just like you do!” 

With that said, there were a couple of times when David just wasn’t able to abide by Leah’s guidelines. The first occurred when he was still a teenage intern at CNN Sports. 

“Midway through one of the 11:00PM CNN Sports shows,  New York Yankees owner George Steinbrenner suddenly fired team Manager Billy Martin for the third time .” Gavant said. “Debi Segura was one of the on-air anchors that night and she spoke to George so often that she had his direct phone number (remember this was well before the days of ubiquitous cell phones). During a commercial break Debi called me over to the set, handed  me a piece of paper with George’s phone number on it, and instructs me to call him and say it’s her asking to confirm the firing so we can come back from commercial with this breaking news. I remember telling Debi, “please don’t make me do this, I’m too scared to call George Steinbrenner!” 

What followed was Debi using several hilarious analogies, basically telling  David, “his poop smells the same as your poop, now go call him”. The teenaged David calmed down enough to call Mr. Steinbrenner for the story and this notion that we’re all human no matter how famous helped him to never be starstruck again…well, almost.

I’ve had two sports heroes in my life. The first was Hank Aaron who I’ve had the honor of meeting several times during my tenure at Major League Baseball and the second is three-time Tour de France winner Greg Lemond”, Gavant said. “I was a competitive criterium cyclist in my twenties and I was consuming as much cycling content as I could find. Of course, Greg Lemond was “the guy” in the professional cycling world at the time, and after he retired, he tried becoming an analyst for NBC Sports. By chance I found out that Greg was going to be doing voiceover work for the cycling portion of an Ironman TV special at Betelgeuse Productions in New York City, So, I immediately booked the graphics room located right next to the audio suite for the same time slot.” David was such a fan that months prior to this encounter, he had begged his sister Debbie, a well-known artist, to create a one-of-a-kind Lemond-centric piece of artwork, and so his plan was  to sneak the finished work into the audio room to have Lemond sign it.

”Greg was a great cyclist, but it was clear he didn’t enjoy being a sports commentator then”, Gavant said. “I thought I was going to have to sneak into the audio room to talk to him, but when he saw my sister’s artwork as he walked past the graphics room, he stopped in and ended up camping out with me for the next three-hours talking cycling in between his audio takes. I don’t know who was happier - me, having the chance to spend time with one of my sports heroes discussing his career and specific moments during the Tour de France stages, or Greg because he really didn’t want to be stuck in a recording booth that afternoon!”  

Finally, I concluded the interview by asking David his opinion about how much of a role “competitiveness” plays in the sports broadcasting industry. He said that having the ambition to be the best is an excellent motivational tool, as long as it isn’t blind ambition. 

Most of the CEO’s that I’ve had to opportunity to work with and learn from have wanted to beat their industry competitors just as much as a professional athlete wants to win,” Gavant said. “This passion or “ultra-competitiveness” definitely creates an atmosphere that is unique because it challenges you to constantly push yourself to produce the very best work you can on each and every project that you work on. Plus, you get to watch sports all day, so this industry never feels like a typical nine-to-five job.” 

Writer and MadCats Films Intern, Jacob Jarrett, is currently a senior at High Tech High School in Hudson County, New Jersey and is currently applying to colleges with strong Sports Broadcasting Programs.